Category Archives: Calls for Papers, Articles, Translations

CFP: Decentering Commemorations (Nancy and Musée des Beaux-Arts)

Call for Papers: « Decentering Commemorations »  Literary, Cultural, Historical and Political Celebrations across and beyond the British Isles. Friday 20th October 2017 Campus LSH, Nancy and Musée des Beaux-Arts, Nancy

The year 2017-2018 marks multiple anniversaries that will be commemorated transnationally: the deaths of Mme de Staël and Jane Austen, the birth of Stanley Kubrick, the release of The Beatles album “Sgt Pepper’s Lonely Hearts Club Band”, the end of World War One and the subsequent creation of new nation states, the Russian Revolution and the signing of the Maastricht Treaty.

Why and how will these literary figures, cultural productions and historical events be remembered/celebrated in individual countries and across Europe? In what ways and to what extent are these commemorations transferred from one cultural space to another across and beyond the British Isles? At a time of crisis concerning Europe’s identity and ideals, commemorations are not only intended as a nation-building process, they can also be appropriated by social or political groups. There is, indeed, a variety of actors at national, regional, and local levels, such as cultural institutions, museums, political parties and social media. The increasing mobility and instability in today’s world triggers off the opposite tendency of going back to one’s past, roots and heritage.

Governments and lobbies/corporations (such as Google) use landmarks to impose their readings of literary, cultural, and political history, while grassroots and communities gather together to organize their own celebrations or to celebrate differently and sometimes more informally and spontaneously (like Halloween, Woman’s Day, National Day, Labour Day, Earth Day).

Papers discussing the following topics from a theoretical or practical perspective are welcome:
-forms and modes of commemorating
-commemoration as an expression of soft power or a means of empowerment
-commemoration and technology (the choice imposed by search engines, social networks, e- media etc.)
-commemoration and cultural policies (celebrations through tourism, bilateral agreements, literary festivals etc.)
-commemoration and hyphenated/conflicting identities (bi-nationals, and “European nationals”) in the British Isles due to Devolution and Brexit
-posterity and literary canon (celebration of national and foreign authors)
-literary and visual adaptations
-publishing policies (book series, collected works, news items etc.)

Submission information: Proposals should not exceed 300 words (references excluded; 3 to 5 keywords and a short biography) and be submitted to decenteringcommemorations-contact@univ-lorraine.fr by Sept, 3rd 2017.

You will find the relevant information about the Conference at the following website:
https://idea-udl.org/identitescollectivesidentitesanglophoneseuropeennes/

Organising Committee:
Antonella Braida-Laplace
Céline Sabiron 
Roseline Théron
Jeremy Tranmer

CFP: BCLA – Unforeseen Consequences (Warwick)

The British Comparative Literature Association Postgraduate Conference, 11 November 2017,  University of Warwick

Unforeseen Consequences: Literatures of Protest and Political Struggle

 Keynote speaker: Dr Oliver Davis (University of Warwick)

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The British Comparative Literature Association invites papers for its annual postgraduate conference to be held at the University of Warwick on 11 November 2017. This conference intends to bring together postgraduate students from across the humanities to discuss questions relating to the impact of literature and the arts, viewed comparatively, on the formation of political discourses and actions of resistance to dominant institutional practices of oppression and control.

Will Self has asserted that the United Kingdom currently exists in a state of perpetual ‘unforeseen consequences’ in which the government ‘muddles and meddles,’ creating a sense of ambiguity that disguises serious neglect of human rights and broader social issues.  The conference intends to apply a global focus to this concept and explore literature’s response to times of political struggle, dangerous social policy, and oppressive institutional standards across the historical spectrum. As such we invite papers considering literature’s relation and responses to the following themes:

  • Struggles for political independence
  • Sovereignty and state power
  • Censorship and the surveillance state
  • Institutional control, mass incarceration and indefinite detention
  • Queer politics
  • Migration
  • Colonialism/decolonialism
  • Neoliberalism and its discontents
  • Feminism and intersectionality
  • Brexit, democracy and devolution
  • Literature, digital texts and social media.

Submissions need not be limited to these parameters and we welcome broad and creative interpretations of our theme.

Please send proposals of 250 words with 50 word bio by 23 September 2017 to bclapgrepresentative@gmail.com.

 

 

Writing, the State, and the Rise of Neo-Nationalism (Boston Uni., London)

Writing, the State, and the Rise of Neo-Nationalism: Historical Contexts and Contemporary Concerns, 30th June 2018, Boston University’s London Campus

In January 1868, John William De Forest took to the pages of The Nation with a call that would resound over the next century and a half: the writing of the “Great American Novel.” In so doing, he asserted both the shaping force of the nation on the arts, and the importance of the arts for the national imaginary. On the sesquicentennial of De Forest’s essay, the College of General Studies at Boston University will host a conference to explore the broader intersection of writing and the nation. This conference will meet on Boston University’s campus in London, England, on June 30, 2018. The conference will feature a keynote address by Daniel Karlin, Winterstoke Professor of English at the University of Bristol.

The exigency of ongoing scholarly consideration of the relation between the nation and writing could not be more apparent. The rise of populist and pro-national politicians and events such as Brexit place new strains on the architecture of globalization. A disruptive force, neo-nationalism has provoked anxiety about sustaining existing international institutions and prompted introspection within nations about the abiding ties of community and place.

This conference seeks a diverse range of panels and papers from scholars in literary studies, rhetoric, the social sciences, and other disciplines. Interdisciplinary papers and panels, and papers and panels addressing transatlantic subjects, are especially encouraged. Possible topics include, but are by no means limited to, the following:

• The portrayal of the nation-state in works of literature.
• Representations of the relationships among the local, regional, and (or) global.
• Challenges to, problems with, and affirmations of national belonging.
• Reflections on De Forest’s original essay in light of the past 150 years.
• The impact of socioeconomic changes on the project of a national literature.
• The ways in which technological development can re-inscribe narratives of the political unit.
• International exchanges on the idea of a “great” national literature.
• Consideration of forces that help construct or challenge nation-oriented narratives of literature.
• Characteristics and implications of neo-national oratory.
• Rhetorical analyses of neo-national propaganda.
• The role of national iconography for literary and artistic expression.
• The ways that marginalized populations can preserve or introduce their voices in the context of changes in the global landscape during the neo-national era.
• Reactions to and presentations of neo-nationalism in the arts.

Paper proposals should be 250-300 words in length and should include a brief CV.

Panel proposals should be 300–500 words in length; indicate whether the panel will be traditional, seminar, or roundtable style; and include the names and CVs of participants and working titles of their papers.

Submit all proposals to Christopher K. Coffman (ccoffman@bu.edu) and Thomas Finan (etfinan@bu.edu) no later than November 30, 2017.

CFP: Inverbis – Translating the Margin

Inverbis Special Issue (2018) Translating the margin: Lost voices in the aesthetic discourse

Guest Editors: Alessandra Rizzo (University of Palermo) and Karen Seago (City, University of London)
Copy-editor: Maila Enea (University of Roehampton)

This special issue aims at investigating and presenting concrete examples of translation as a linguistic and cultural expedient that reveals migrant and refugee experiences as counternarratives. The objective is to demonstrate, on the one hand, how translation is involved in the production and dissemination of counter-narratives aiming at the re-telling of experiences of displacement as a result of conflict, persecution, and famine. And, on the other hand, how the migrant presence in the receiving country acts as a stimulus to the creation of an international network of filmmakers, musicians, artists and activists who are capturing and responding to individual stories of struggle and success in the migrant and refugee communities.

 

More information is available here.

BCLA Arthur Terry Prize 2017

The British Comparative Literature Association offers an annual prize for an essay written in English on any aspect of comparative literature, in memory of Arthur Terry (1927–2004), who served as President of the BCLA for many years. The aim of the Prize is to recognise work of outstanding merit at Master’s level. There are three prizes of £100, £50,and £30 and the winning entrants are also given one-year free BCLA membership.

The deadline for application is 12 noon on Friday 1 September 2017. The judges are members of the Association’s Executive Committee. The prizes will be awarded at the BCLA Postgraduate General Meeting in November 2017. Winning entries are also eligible for publication in full on the website.

More information, including conditions for entry, can be found here.